the illustrated shakespeare


Shakespeare and His Critics (Thomas Larque)
The Moral Implications of the Bed Trick in Alls Well That Ends Well
So Old and yet So New : All's Well the Ends Well as a Problem Play
Roman Letters and Egyptian Performatives in Antony and Cleopatra
The Story of Antony and Cleopatra: A Comparative Exploration of Text and Source
The Tragedy of Imagination: Shakespeare's "Antony and Cleopatra"
As You Like It: Jaques
Instruction Versus Deception: from Rosalynde to As You Like It
Bringing Deformed Forth : Engendering Meaning in Much Ado About Nothing
Illinois Shakespeare Festival - The Comedy of Errors
Doubles and Likenesses-with-difference: The Comedy of Errors and The Winter's Tale
Ephesian Effusions: The Comedy of Errors
Coriolanus - Our Contemporary?
"The price of one fair word": Negotiating Names in Coriolanus
Civilizing Wales: Cymbeline, Roads and the Landscapes of Early Modern Britain
The Shakespeare Essays of Professor Sir Walter Murdoch
The Hamlet Paradigm
The Mixture of "High" and "Low" Culture in Hamlet I,i: a Close Reading
How Many Years Had Hamlet the Dane?
Illinois Shakespeare Festival - Imaging the Children of Pan
Popular Theatre and the Performance of the First Scene of Love's Labour's Lost
"Leaden Contemplation": Ambiguous Evidence of Revision in Q1 Love's Labour's Lost
The Witches' Influence on Macbeth
Granville's Jew of Venice (1701): A Close Reading of Shakespeare's Merchant
Portia and Shylock: The Outsiders of Venice
The Power of Mercy
Midsummer Madness, Dangerous Dreams: Shakespeare's Sources for A Midsummer Night's Dream
Romeo and Juliet Shakespeare Bulletin Review
Portents in Romeo and Juliet
Some Uses for Romance: Shakespeare's Cymbeline and Jonson's The New Inn
Dating The Tempest
Illinois Shakespeare Festival
The Tempest - Art vs. Nature
The Texts of Troilus and Cressida
Allowed Fools: Notes Towards An Elizabethan Twelfth Night
Twelfth Night: All or Nothing, What You Will, It's All One - Or Is It?