Shakespeare and His Critics (Thomas Larque) The Moral Implications of the Bed Trick in Alls Well That Ends Well So Old and yet So New : All's Well the Ends Well as a Problem Play Roman Letters and Egyptian Performatives in Antony and Cleopatra The Story of Antony and Cleopatra: A Comparative Exploration of Text and Source The Tragedy of Imagination: Shakespeare's "Antony and Cleopatra" As You Like It: Jaques Instruction Versus Deception: from Rosalynde to As You Like It Bringing Deformed Forth : Engendering Meaning in Much Ado About Nothing Illinois Shakespeare Festival - The Comedy of Errors Doubles and Likenesses-with-difference: The Comedy of Errors and The Winter's Tale Ephesian Effusions: The Comedy of Errors Coriolanus - Our Contemporary? "The price of one fair word": Negotiating Names in Coriolanus Civilizing Wales: Cymbeline, Roads and the Landscapes of Early Modern Britain The Shakespeare Essays of Professor Sir Walter Murdoch The Hamlet Paradigm The Mixture of "High" and "Low" Culture in Hamlet I,i: a Close Reading How Many Years Had Hamlet the Dane? Illinois Shakespeare Festival - Imaging the Children of Pan Popular Theatre and the Performance of the First Scene of Love's Labour's Lost "Leaden Contemplation": Ambiguous Evidence of Revision in Q1 Love's Labour's Lost The Witches' Influence on Macbeth Granville's Jew of Venice (1701): A Close Reading of Shakespeare's Merchant Portia and Shylock: The Outsiders of Venice The Power of Mercy Midsummer Madness, Dangerous Dreams: Shakespeare's Sources for A Midsummer Night's Dream Romeo and Juliet Shakespeare Bulletin Review Portents in Romeo and Juliet Some Uses for Romance: Shakespeare's Cymbeline and Jonson's The New Inn Dating The Tempest Illinois Shakespeare Festival The Tempest - Art vs. Nature The Texts of Troilus and Cressida Allowed Fools: Notes Towards An Elizabethan Twelfth Night Twelfth Night: All or Nothing, What You Will, It's All One - Or Is It?